For over forty years, Julie Linowes has been a cutting-edge multi-disciplinary artist deploying photography, installation, video sculpture, and projection to create complex, multi-layered projects.
Linowes has exhibited widely both internationally and in the United States and is in the permanent collections of prominent museums including the National Museum of Women in the Arts and American University Museum at the Katzen Arts Center. Linowes is also in private and corporate international collections and has been in numerous solo and group exhibits, including a Sotheby’s exhibit and auction and the Corcoran Gallery of Art’s Both Sides of Photography.
Over her career, Linowes’ work has explored female psychological structures and experiences using narrative devices and employing a surrealist aesthetic. Her work challenges the viewer on a visceral level, demanding they let go of rational understanding and surrender to an experience without answers. However, 2016 and, subsequently, 2020 brought entirely new and devastating realities. Unable to look away, Linowes re-oriented her practice towards political issues. Leave Your Tie at the Door (2019) was her first foray into this arena and addresses the ongoing war on women.
In 2020, Linowes expanded her practice into painting and sculpture, and in 2022 with the overturning of Roe v. Wade, she embarked on a series of large paintings (48” x 60”) which directly address this subject. The works from Just a Body are available upon request, and details from these paintings can be viewed in Collections here.
Julie Linowes lived in Auckland, New Zealand from 1989 to 2006, where she was Chair of the Department of Photography, Film & Video at Whitecliffe College of Art & Design as well as Director of the Master of Fine Arts program. She received a Bachelor of Arts from the University of Pennsylvania in 1978 and a Master of Fine Arts in 1988 from the University of Southern California, School of Cinema-Television. Linowes has been published in academic journals, and she presents papers at international conferences in her area of specialization.
“Her work presents a disturbing view of the way dreams are a special kind of spiritual reality.”
Resume
Selected Exhibits
Leave Your Tie at the Door; part of (re)FOCUS 2024
The Boiler Room at Globe Dye Works; Philadelphia, PA
solo exhibit, 2024
American University Museum; Washington, DC
solo exhibit, 2011
Artis Gallery; Auckland, New Zealand
solo exhibit, 2006
Centre of Contemporary Art; Christchurch, New Zealand
group exhibit, 2005
Washington Project for the Arts/Corcoran Gallery of Art; Washington, DC
exhibit and auction, 2004
Artis Gallery; Auckland, New Zealand
group exhibit, 2004
Troyer Gallery of Fine Arts; Washington, DC
solo exhibit, 2003
Randolph Studio Gallery; Auckland, New Zealand
group exhibit, 2003
PhotoGraphic Gallery; New York
group exhibit, 2003
Corcoran Gallery of Art; Washington, DC
Both Sides of Photography
permanent collection exhibit, 2003
Artis Gallery; Auckland, New Zealand
solo exhibit, 2003
Sotheby's; New York
exhibit and auction, 2000
Artis Gallery; Auckland, New Zealand
group exhibit, 2002
Artis Gallery; Auckland, New Zealand
solo show, 2002
Victoria Hammond Gallery; New Plymouth, New Zealand
solo exhibit, 2001
Artis Gallery; Auckland, New Zealand
solo exhibit, 2001
Peters Muir Petford Gallery; Auckland, New Zealand
group exhibit, 2000
Peters Muir Petford Gallery; Auckland, New Zealand
solo exhibit, 1999
AIPA; Auckland, New Zealand
group exhibit, 1998
Collections
National Museum of Women in the Arts; Washington, DC
permanent collection
2004
Bank of Brazil; Rio de Janeiro, Brazil
corporate collection
2004
The Katzen Art Center at the American University Museum; Washington, DC
permanent collection
2001
Conferences
The Royal Australian and New Zealand College of Psychiatrists; Brisbane, Australia
Paper: Moving Immobility: Tracking the Ephemeral in the Real of Desire
2005
University of East London and the Tavistock Clinic; London, UK
Conference: Culture and the Unconscious: A Dialogue Between Artists, Academics & Psychoanalysts
Paper: Making Meaning Meaningful: An Intersection Between The Creative Process and Psychoanalytic Experience
2004
Psychoanalytic Psychotherapy Association of Australia; Auckland, New Zealand
Conference: Destruction and Creation
Paper: Making Meaning Meaningful: An Intersection Between the Creative Process and Psychoanalytic Experience
2004
Education
University of Southern California, School of Cinema-Television
Los Angeles, CA
Master of Fine Arts
1985-1988
University of Pennsylvania
Philadelphia, PA
Bachelor of Arts
1974-1978